Pastel lilac katan silk unstitched suit set with a small feather-leaf hand block print and a wide ornate panelled border on the dupatta

Lilac Katan Silk Suit, Panelled Dupatta Border | Bagiya

$27.10
Sale price  $27.10 Regular price  $44.43
Skip to product information
Pastel lilac katan silk unstitched suit set with a small feather-leaf hand block print and a wide ornate panelled border on the dupatta

Lilac Katan Silk Suit, Panelled Dupatta Border | Bagiya

$27.10
Sale price  $27.10 Regular price  $44.43

Small feather-leaf prints cover this lilac silk, tight and even across the length.

Why this piece

  • Wide ornate panelled border along the edge of the dupatta
  • High-density small-scale repeat, struck block by block
  • Pale ground, and a print that will not bleed into it

The print

The leaf shape is small and repeated at close intervals, in cream against lilac with gold-toned accents catching through. From a distance the effect is a texture rather than a pattern.

Then the dupatta ends in a wide horizontal panel of dense ornate work, which is where the piece stops being quiet.

Wearing it

Pastels are the hardest shades to buy online and the easiest to wear once they arrive. Stitch a straight kurta, keep the panelled end of the dupatta falling at the front, and pair with pearls or fine gold. It suits daytime weddings particularly well.

A pale ground shows every fault in a print, which is why most pastel block print is done on cotton. On silk, with a hand-struck block, it is a harder thing to make.

The set

  • Top: 2.5 m, 44 to 45 inches wide
  • Bottom: 2.5 m, 44 to 45 inches wide
  • Dupatta: 2.5 m, 35 to 36 inches wide
  • Fabric: Katan silk, opaque, no lining needed
  • Craft: hand block printed with hand-carved wooden blocks in Bhagalpur
  • Weight: 600 to 650 g for top, bottom and dupatta together
  • Stitching: stitched to your fit up to 4XL, length customisable
  • Care: dry clean the first time, then a gentle cold hand wash
  • Dispatch: Dispatched the next working day.
  • Collection: Bagiya

Small shifts in the print, a motif set a little off its neighbour, a shade that deepens where the block pressed twice: these are the marks of a hand at work, not flaws in the cloth.

You may also like